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A major turnoff.ДЇinally your right Color of Night was a piece of garbage but both Bruce and Scott looked very good at the time so if they had pursued that storyline it would have helped the film immeasurably. When he was all over the teen mags I never got the Scott Baio thing either although later when he had matured he was hunky on Charles in Charge but seems to have turned, or maybe always was, a repugnant tool.

I never understood the Leif Garrett craze either he always reminded me of a beanpole Kristy McNichol clone and now he's an utter mess, very sad. It was an hour & a half show so it doesn't get rerun as frequently so that may factor into it.Д®ven with their chronically tight shirts, pants and good looks I could never abide The Dukes of Hazzard but both the men especially John Schneider have aged very well.

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I am one of those fans of Robert Fuller and am puzzled by his obscurity since the Virginian was one of the better westerns from when they ruled TV and Fuller with his deep voice and dark good looks one of the better actors. Bogie played a mobster with the unfortunate name of Turkey Morgan. Robinson but the title character was played by Wayne Morris. One little correction, the original Kid Galahad did have Humphrey Bogart in the cast as well as Bette Davis and Edward G. I just remember thinking, 'Okay, so your work doesn't actually have to be seen.' In New York, everybody goes to the theater, they see you, and they say, 'Oh, I saw you, and you were unbelievable.' Here, they just have to have heard you were good.A delightful treat for the holiday! Thanks for the pictures of Joel McCrea, when he was young he was one of the dreamiest of all Hollywood actors and the studio loved to find ways for him to disrobe. Sylvie Drake wrote a great review, and all of a sudden I'm in all of these meetings, and I got the job on Designing Women. But we heard it was great!' And I realized, 'Okay, I'm not in New York anymore, and this is a different world.' Either they'd heard that it was great or they'd read that it was great, and that's why they were seeing me. So I'd go on auditions, and they'd say, 'Oh, Scott, it's so nice to meet you!' and I'd say, 'Oh, thanks!' And they'd go, 'So, Nite Club Confidential!' And I'd be, like, 'Oh, did you see it?' 'Oh, no, no, we didn't see it. I was doing a play out here, a musical called Nite Club Confidential, and it was this great show. It was right around when I did that show that I got my first indication of what life was in Hollywood. But it was a great experience, and I just love Clive Barker. There was a second film script that came out, and we were talking about it, they were trying to decide who was going to direct it, and there were all kinds of things that were close to going, but then there were other things that happened with the studio, et cetera, and it never came to fruition.

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that was another one that we kind of thought was going to become a series of movies, but it never happened. But great performances from a bunch of people, and. Very, very difficult, and very challenging. He can write and direct and paint and do all these different things, and he can do them all extremely well. Clive Barker is just genius, and he's incredibly gifted in so many different ways. And I had to get there that much earlier as it went on to get ready for that day's work. By the end of that movie, I was in about three hours of makeup, by the time they did the tattoo and the burn and the cut and the blood and the dirt and the contact lenses. Today, he lives in Los Angeles, California and has a farm in upstate New York. He also starred in the prequel series Star Trek: Enterprise (2001) as Jonathan Archer, the captain of Earth's first long-range starship. He won a Golden Globe in 1992 for Best Performance by an Actor in a TV series - Drama for Quantum Leap (1989) and was nominated for a Tony Award in 1988. Sam Beckett, a physicist who was trapped by a malfunction of his time machine to correct things gone wrong in the past. After several small roles on television, he starred opposite Dean Stockwell in the science fiction series Quantum Leap (1989). In 1976, he was first hired professionally in the role of Sam in 'Shenandoah' and went to New York. He studied Law at the University of Kansas until his sophomore year when he left to pursue acting. In the fourth grade, he started a rock band and wrote songs for them, he later sang with the St. He is of German, as well as Czech, Austrian, Scottish and English ancestry.

Louis, Missouri, to Sally (Zumwinkel) and J. Scott Stewart Bakula was born on Octoin St.

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